Two wide-angle primes Sony APS-C E-mount users will be familiar with are the Sigma 19mm f/2.8 DN Art and the Sony E 20mm f/2.8. Both offer an angle of view that isn’t far off the 28mm equivalent, making them a popular choice amongst photographers who mostly shoot street with wide angle lenses, as well as […]
The Sony FE 35mm f/2.8 was the very first native lens for Sony’s full-frame E-mount system along with the FE 55m f/1.8,. When used on full-frame bodies, it offers a moderate wide-angle whereas on APS-C bodies such as the a6300 or a6500, it becomes a standard lens with a 52.5mm equivalent field of view. It was the […]
If you are a photographer whose affection is torn between portraits and macro, I can bet you’ve asked yourself at some point: does it make more sense to use a single macro lens for both portraits and macro work, or invest in a dedicated portrait lens?
The Sony APS-C range has faced some neglect as of late due to much of Sony’s focus being funnelled into lens development for the extremely popular full-frame FE system. This is why the announcement of the Sigma 16mm f/1.4, with its 24mm equivalent field of view and fast maximum aperture, was such breath of fresh […]
A brand new addition to the mirrorless range of primes is the Sigma 16mm f/1.4 DC DN Contemporary, a wide-angle lens with a bright f/1.4 aperture available for both Sony E and Micro Four Thirds mounts.For Sony APS-C users, it is the first 24mm lens (35mm equivalent) with a bright f/1.4 aperture for the system. […]