Today Leica announced its new digital M camera, the fourth generation following the first digital release in 2006. It comes more than four years after its predecessor, the M Typ 240, which already inspired a few additional variations such as the M 262 (a simpler version), M-P Typ 240 and M-D (no rear monitor). If you are wondering how the […]
Never has there been so much choice in the filmmaking world as there is today when it comes to compact systems capable of producing astounding video quality. The two leaders driving these technological advancements are Sony and Panasonic, which doesn’t come as a surprise since they have years of experience in the professional video equipment sector. Their […]
Within Panasonic Lumix’s range of mirrorless cameras, there are two branches whose styling resembles that of an SLR: the GH and G series. Both have proven popular over the years, albeit amongst different user bases. While GH series has traditionally targeted professional videographers with its state-of-the-art video features, the G series can be classified as […]
Our full comparison between the E-M1 II and GH5 is now online! When the Olympus OM-D E-M1 and Panasonic Lumix GH4 were released in 2013, the differences between the two cameras were easier to summarise, as each had its own set of unique features such as 5-axis stabilisation on the E-M1 and advanced video capabilities on the Lumix.
Update: our complete GX85 vs GX850 comparison is now online! In 2016, Panasonic decided to update the naming scheme of its Lumix range to better reflect the target audience and styling of their cameras. For example, all flat-topped cameras are now called “GX” and are followed by a series of digits that distinguish the level of […]