Preview

The recently announced a6400 is the latest entry/mid-range camera in Sony’s APS-C range. Unlike the a6300 and a6500, it was given a 180-degree rotating screen in a bid to attract the attention of vloggers and selfie-lovers in search of a powerful yet reasonably affordable mirrorless model.

The previous Sony model to specifically target this user-base was the a5100, which was released over four years ago in mid-2014. Camera technology has progressed by leaps and bounds since then, so it is unsurprising that we’ve found many differences between the two models. Are you curious to find out more? Then keep on reading!

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Sony has announced the a6400, the fourth model in Sony’s mirrorless APS-C series with a viewfinder that also includes the a6000, a6300 and a6500.

If you’re wondering how to differentiate these three models, the first thing you can do is to simply follow the numbers. The higher the number, the more advanced the camera, although this new entry brings some features none of the others have.

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When we tested the Ricoh GR II back in 2016, it immediately rose to the top of our list of favourite compact cameras. The 16MP APS-C sensor combined with its 18.3mm fixed lens produced some of the sharpest images we’ve ever seen from a compact and the wonderful B&W profiles, with their deep blacks, punchy contrast and film-like grain, encouraged us to use the straight-out-of-camera JPGs more than any other model we’d tried up until then.

Now, just over three years on from the release of its predecessor, the Ricoh GR III is set to hit the market with a number of new features that should certainly tempt many current GR users to at least consider upgrading. Curious to find out more about the main differences between the two models? Then keep on reading!

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Who would have thought that one of the most interesting products announced at Photokina 2018 would come from Zeiss, a brand mostly known for its high quality still and cinema lenses. The company is no stranger to designing cameras but up until now, its portfolio has only included film models, with the last one being the Ikon M-mount rangefinder released 14 years ago.

The ZX1 is Zeiss’ first digital camera. It is designed to act like a smartphone as far as quick editing and sharing are concerned but maintains the form factor of a proper creative photographic tool. To be fair, this is not the first attempt of this kind. Many Samsung cameras in the now-discontinued NX series didn’t require a connection to a mobile device thanks to their direct sharing capabilities (email, social media). The Korean brand also released a camera with 4G run by an Android operating system (the Galaxy NX) but the experiment was a failure.

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Update: Fujifilm announced the GFX 50S II in September 2021. Check how it compares to the 50R model in our dedicated article.

The Fujifilm GFX system was announced two years ago, along with the GFX 50S mirrorless medium format camera and a roadmap of six GF lenses that has since been expanded to ten.

We had the chance to review and compare the 50S to the Sony A7r III and we were impressed by the quality of the sensor and lenses. The body is large for obvious reasons but doesn’t detract from the user-friendly interface that has characterised Fujifilm cameras since the original X100.

Fujifilm’s choice to skip the 35mm format and go medium format was an interesting move, and something quite unexpected as well. The only drawback of the GFX series is that it is much more expensive than the X-Series which has been Fujifilm’s primary focus for the past six years.

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