Sony E

The Sigma 56mm f/1.4 DC DN Contemporary is the latest prime to join Sony’s range of APS-C E-mount lenses. With an equivalent coverage of 84mm in 35mm terms and a very fast 1.4 maximum aperture, it has all the characteristics you’d expect from a portrait lens, making it a very desirable product for Sony users.

Within the Sony E-mount range, there are already quite a few lenses with an equivalent 70-85mm focal length, two of which are the E 50mm f/1.8 OSS (75mm equivalent) and the FE 55mm f/1.8 ZA (82.5mm equivalent). In this comparison, we’re going to be taking a look at how these three primes compare.

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Two wide-angle primes Sony APS-C E-mount users will be familiar with are the Sigma 19mm f/2.8 DN Art and the Sony E 20mm f/2.8. Both offer an angle of view that isn’t far off the 28mm equivalent, making them a popular choice amongst photographers who mostly shoot street with wide angle lenses, as well as those who enjoy landscape and cityscapes.

Because the two lenses are very similar on paper, we decided to conduct this side-by-side comparison to see how they actually perform out in the field on our a6300. We hope it helps you come to a decision about which one to buy!

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The Sony APS-C range has faced some neglect as of late due to much of Sony’s focus being funnelled into lens development for the extremely popular full-frame FE system. This is why the announcement of the Sigma 16mm f/1.4, with its 24mm equivalent field of view and fast maximum aperture, was such breath of fresh air for E-mount users.

The Sigma isn’t the first 16mm lens for Sony APS-C however.* In fact, one of the oldest primes for the system is the E 16mm f/2.8, an inexpensive pancake lens haunted by something of a mixed reputation.

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Two of the earliest portrait lenses for the Sony E mount system were the Sony E 50mm f/1.8 OSS and the Sigma 60mm f/2.8 DN A. The former appeared in 2011, just a year after the E mount was launched, whereas the latter arrived in 2013 and is one of three of Sigma “Art” lenses for mirrorless cameras with a Sony E or Micro Four Thirds mount.

Despite their age, we felt it was worth comparing these two lenses side-by-side given the ever-growing in interest in Sony’s range of APS-C cameras featuring the E-mount. Let’s have a look and see what they have to offer!

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