Mathieu Gasquet
Mathieu Gasquet is the co-owner and editor of Mirrorless Comparison, as well as the man behind all the camera tests. Mathieu has been a professional photographer for over 15 years. Before specializing in camera reviews, he worked as an event photographer for the National Cinema Museum in Turin, and as a videomaker for renowned Italian agencies, which allowed him to collaborate with important names such as Fiat, Sky Italia, Maserati, and more. Mathieu also studied cinema in France and obtained a degree in cinematography at the A.R.F.I.S. school in Lyon.
Following the GH5 (the hybrid still/video solution) and the G9 (the sports and wildlife model), Panasonic has now come out with the GH5s and as you might expect, this third flagship focuses entirely on video.
Not even a year ago, praise was being showered on the advanced video capabilities of the Lumix GH5, so it is natural to wonder: just how does this even more video-oriented camera compare?
Updated on: July 1st, 2018
Many cameras, even those of different brands, often share the same technology, so the only way to draw a precise comparison is to look at the design and other aspects that don’t necessarily jump out at you right away.
However sometimes two products are so similar that the differences between them can literally be counted on one hand. There is no better example of this than the Fujifilm X-E3 and X-T20 whose differences can be encapsulated in two simple questions: Does it have a tilting screen or not? And is the EVF at the centre or on the left?
But us being us, we decided to run a complete comparison with the hope of drawing a more complete conclusion than the sentence above!
The Fujifilm X100 is my favourite fixed lens compact camera series and the latest model – the X100F – is the best version yet. It is a great companion for street or travel and can be an excellent complement to an interchangeable-lens system.
Its design is simple, elegant and practical thanks to the various buttons and dials but of course, like most cameras, it isn’t perfect. If the X100F is the camera you’re using the most, then a few extra accessories can improve the ergonomics, ease of use or even give your more focal lengths to work with.
Just as with our Fuji X-T20 and Sony a6500 accessory articles, we’ve compiled this exhaustive list based on our experience with accessories we’ve personally tested and enjoyed using. Whether you’re looking for a nice strap, a grip or a battery recommendation, we’ve got you covered!
Updated on: July 1st, 2018
Two brands we’ve always enjoyed comparing, despite the difference in sensor size and the technology they employ, are Olympus and Fujifilm.
The Micro Four Thirds brand is a master of producing beautiful retro-styled bodies and furnishing them with original and extremely powerful features, with 5-axis stabilisation being an excellent example.
Fujifilm has also played the retro card but in a slightly different way. By giving their cameras lots of physical dials, an APS-C sensor and one of the best autofocus systems on the market, they’ve appealed to an audience of photographers that long for an analog approach while simultaneously providing them with all the conveniences of a modern camera system.
Updated on November 2019
The Panasonic GH5 and G9 are similar, yet very different at the same time. Despite sharing many features, there are a few substantial differences that set them apart, especially if we consider their target audiences.
The GH5 is the latest iteration of a flagship series that has long been popular amongst filmmakers, from the original GH1 and GH2 (the latter was hacked to increase the video quality) to the more recent GH4 and GH5 into which Panasonic packed much of its vast experience with pro camcorders and broadcasting products.
The G9, on the other hand, is a camera that targets still photographers and above all, aims to win over sports and wildlife shooters. The way in which it was designed and some of the features make it one of the most interesting choices for these genres, putting it into direct competition with the Olympus OM-D E-M1 II.
