The Fujifilm X-T3 is currently one of the most advanced APS-C cameras on the market. It introduces the fourth generation X-Trans CMOS sensor with 26.1MP and features advanced video functionalities including 4K video recording at 50/60p 10-bit, 20fps (or 30fps in crop mode) continuous shooting speeds with a blackout-free live view using the electronic shutter and many other things. It has one of the best autofocus systems on the market and a retro design that makes it very user-friendly.
Author's Bio and Articles
Mathieu Gasquet
Mathieu Gasquet is the co-owner and editor of Mirrorless Comparison, as well as the man behind all the camera tests. Mathieu has been a professional photographer for over 15 years. Before specializing in camera reviews, he worked as an event photographer for the National Cinema Museum in Turin, and as a videomaker for renowned Italian agencies, which allowed him to collaborate with important names such as Fiat, Sky Italia, Maserati, and more. Mathieu also studied cinema in France and obtained a degree in cinematography at the A.R.F.I.S. school in Lyon.
Fujifilm X-T2 vs X-T3 – The complete comparison
Updated on: March 4th 2020
The evolution of the X-T series, the most popular line-up of Fujifilm cameras, has been an interesting one to observe. The brand has managed to narrow the gap between itself and the competition with each iteration, while preserving that unique retro design that makes these cameras so appealing in the digital era.
While the second generation X-T2 brought important updates to image quality and autofocus, the third generation X-T3 takes the series to new heights in the video department. It is definitely Fujifilm’s most advanced and complete camera to date, and I would also add that it is a “surprising” product because it ventures into territories we weren’t expecting.
Panasonic GX85 vs GX9 (GX80 vs GX9) – The complete comparison
The Lumix GX85 has been our camera of choice for product shots and recording video reviews since we bought it in 2016. Its compact design, intuitive interface, video quality and in-body stabilisation system work together to provide the ideal combination of features and portability.
Of course it isn’t without its flaws, which for me has more to do with things that used to be on its predecessor, the GX7, but were removed such as a better grip and the tilting EVF.
When the GX9 was announced, I was happy to see that some of the design characteristics I missed had made a reappearance. Although Panasonic officially considers the GX9 the successor to the larger GX8, we feel that the compact design makes it a more natural successor to the GX85 instead.
Gallery of Panasonic Lumix GX9 Sample Images (RAW & SOOC JPGs)
The Panasonic Lumix DMC GX9 is a mid-range micro four thirds interchangeable lens camera. Officially announced as the GX8 successor, its appearance and features put it more in direct competition with the Lumix GX85.
Sony FE 16-35mm f/2.8 GM vs 16-35mm f/4 ZA OSS – The complete comparison
The 16-35mm f/4 ZA was the third zoom released for the Sony full-frame E-mount system in 2014 and completed the f/4 constant aperture series. At the time, the trio was the only option available if you wanted quality variable focal length lenses.
Four years later, Sony users have much more choice including a set of faster f/2.8 constant zooms. The latest to be realised was the 16-35mm which is part of the high quality G Master series.