Yesterday Leica announced the arrival of a new addition to its camera portfolio, the Leica CL digital. It joins the Leica TL2 as the third camera in the company’s interchangeable APS-C line-up and takes its name from the original CL film camera released back in the 1970s. In technical terms, the CL and TL2 are […]
Owing in part to its legacy as a producer of advanced camcorders, Panasonic has long been regarded as primarily a video-centric brand rather than a manufacturer of stills-oriented products, even though, realistically speaking, its mirrorless cameras are perfectly capable of both.
Updated on November 2019 The Panasonic GH5 and G9 are similar, yet very different at the same time. Despite sharing many features, there are a few substantial differences that set them apart, especially if we consider their target audiences. The GH5 is the latest iteration of a flagship series that has long been popular amongst […]
Update: our full G9 vs E-M1 II comparison is now online! Up until recently, the best way to summarise the differences between Olympus and Panasonic, the two main Micro Four Thirds players, was to say that one brand focuses on stills while the other targets hybrid shooters and filmmakers. The latest flagship cameras released between […]
Despite being part of different camera systems, the Sony A7r mark III and the Nikon D850 have two important characteristics in common. First are their full frame sensors which are currently the best the market has to offer. They are based on the same BSI technology and lack an Anti-Aliasing filter to maximise sharpness. The […]