Mathieu Gasquet
Mathieu Gasquet is the co-owner and editor of Mirrorless Comparison, as well as the man behind all the camera tests. Mathieu has been a professional photographer for over 15 years. Before specializing in camera reviews, he worked as an event photographer for the National Cinema Museum in Turin, and as a videomaker for renowned Italian agencies, which allowed him to collaborate with important names such as Fiat, Sky Italia, Maserati, and more. Mathieu also studied cinema in France and obtained a degree in cinematography at the A.R.F.I.S. school in Lyon.
The Fujifilm GFX100, released in 2019, pushed the boundaries of medium format thanks to a much improved autofocus and professional video capabilities. Less than two years later, the GFX100s incorporates the same technology in a smaller and much less expensive package. We decided to compare these two cameras together with …
With the addition of the new X-S10 line-up, and the recent update to the X-E and X-T30 line-up, Fujifilm now has three cameras with a similar price tag competing in the mid-level mirrorless segment. One of the most obvious differences is the design, but is there more to the story …
The X-E4 is the most recent model in the X-E line-up and the latest to receive the fourth generation sensor and AF system amongst Fujifilm cameras with X-Trans technology. It arrives more than three years after the X-E3.
Let’s have a look at what the new camera brings in comparison to its predecessor.
The A9 series marked an important step in the evolution of mirrorless cameras. It took the performance of the electronic shutter to the next level, offering speed (20fps burst) and features (blackout-free EVF) never seen before.
In parallel, Sony broke new ground with high resolution cameras like the A7R III and the A7R IV before giving video-makers a long-awaited upgrade with the A7S III.
The Olympus 150-400mm f4.5 Pro is the largest and most expensive micro four thirds lens released to date. It was highly anticipated by wildlife professionals and enthusiasts before the official price cooled the hype. Has Olympus gone too far, or is this a “one of kind” lens that you won’t find elsewhere?
